Thanks for the links fren. That's the first time I have watched anything Springsteen-related in many, many years. My relationship with this artist had been faltering for a long time, and was finally killed by his severe TDS; I felt very betrayed. As such, we will never be on a first-name basis again. I have no idea what he has been talking about or singing about for nearly 20 years. The last record I purchased was "The Rising."

I remember in the 1980s, the artist formerly known to me as "Bruce" had a strong literary bent which would come out occasionally in print interviews. He said when he wrote "Nebraska" he had been reading a lot of Flannery O'Connor, and of course the imagery from the denouemont of "Spare Parts" (from "Tunnel of Love," another great record) is lifted straight out of "The Violent Bear it Away."

"The Ghost of Tom Joad" is one of his greatest records, and I would argue that it crosses into high art in the American literary tradition and stands squarely within it. With that said "Darkness on the Edge of Town" was life-changing when I heard it as a kid. I wonder if other anons in my age group were ever similarly inclined.

Thanks for the links fren. That's the first time I have watched anything Springsteen-related in many, many years. My relationship with this artist had been faltering for a long time, and was finally killed by his severe TDS; I felt very betrayed. As such, we will never be on a first-name basis again. I have no idea what he has been talking about or singing about for nearly 20 years. The last record I purchased was "The Rising."

I remember in the 1980s, the artist formerly known to me as "Bruce" had a strong literary bent which would come out occasionally in print interviews. He said when he wrote "Nebraska" he had been reading a lot of Flannery O'Connor, and of course the imagery from the denouemont of "Spare Parts" (from "Tunnel of Love," another great record) is lifted straight out of "The Violent Bear it Away."

"The Ghost of Tom Joad" is one of his greatest records, and I would argue that it crosses into high art in the American literary tradition and stands squarely within it. With that said "Darkness on the Edge of Town" was life-changing when I heard it as a kid. I wonder if other autists in my age group were ever similarly inclined.

Thanks for the links fren. That's the first time I have watched anything Springsteen-related in many, many years. My relationship with this artist had been faltering for a long time, and was finally killed by his severe TDS; I felt very betrayed. As such, we will never be on a first-name basis again. I have no idea what he has been talking about or singing about for nearly 20 years. The last record I purchased was "The Rising."

I remember in the 1980s, the artist formerly known to me as "Bruce" had a strong literary bent which would come out occasionally in print interviews. He said when he wrote "Nebraska" he had been reading a lot of Flannery O'Connor, and of course the imagery from the denouemont of "Spare Parts" (from "Tunnel of Love," another great record) is lifted straight out of "The Violent Bear it Away."

"The Ghost of Tom Joad" is one of his greatest records, and I would argue that it crosses into high art in the American literary tradition and stands squarely within it. With that said "Darkness on the Edge of Town" was life-changing when I heard it as a kid. I wonder if other autists were similarly inclined.

Thanks for the links fren. That's the first time I have watched anything Springsteen-related in many, many years. My relationship with this artist had been faltering for a long time, and was finally killed by his severe TDS; I felt very betrayed. As such, we will never be on a first-name basis again. I have no idea what he has been talking about or singing about for nearly 20 years. The last record I purchased was "The Rising."

I remember in the 1980s he had a strong literary bent which would come out occasionally in print interviews. He said when he wrote "Nebraska" he had been reading a lot of Flannery O'Connor, and of course the imagery from the denouemont of "Spare Parts" (from "Tunnel of Love," another great record) is lifted straight out of "The Violent Bear it Away."

"The Ghost of Tom Joad" is one of his greatest records, and I would argue that it crosses into high art in the American literary tradition and stands squarely within it. With that said "Darkness on the Edge of Town" was life-changing when I heard it as a kid. I wonder if other autists were similarly inclined.

Thanks for the links fren. That's the first time I have watched anything Springsteen-related in many, many years. My relationship with this artist had been faltering for years, and was finally killed by his severe TDS; I felt very betrayed. As such I have no idea what he has been talking about or singing about for nearly 20 years. The last record I purchased was "The Rising."

I remember in the 1980s he had a strong literary bent which would come out occasionally in print interviews. He said when he wrote "Nebraska" he had been reading a lot of Flannery O'Connor, and of course the imagery from the denouemont of "Spare Parts" (from "Tunnel of Love," another great record) is lifted straight out of "The Violent Bear it Away."

"The Ghost of Tom Joad" is one of his greatest records, and I would argue that it crosses into high art in the American literary tradition and stands squarely within it. With that said "Darkness on the Edge of Town" was life-changing when I heard it as a kid. I wonder if other autists were similarly inclined.

Thanks for the links fren. That's the first time I have watched anything Springsteen-related in many, many years. My relationship with this artist had been faltering for years, and was finally killed by his severe TDS; I felt very betrayed. As such I have no idea what he has been talking about or singing about for nearly 20 years. The last record I purchased was "The Rising."

I remember in the 1980s he had a strong literary bent which would come out occasionally in print interviews. He said when he wrote "Nebraska" he had been reading a lot of Flannery O'Connor, and of course the imagery from the denouemont of "Spare Parts" (from "Tunnel of Love," another great record) is lifted straight out of "The Violent Bear it Away."

I think "The Ghost of Tom Joad" is one of his greatest records, and I would argue that it crosses into high art in the American literary tradition and can stand squarely within it. With that said "Darkness on the Edge of Town" was life-changing when I heard it as a kid.

Thanks for the links fren. That's the first time I have watched anything Springsteen-related in many, many years. My relationship with this artist had been faltering for years, and was finally killed by his severe TDS; I felt very betrayed. As such I have no idea what he has been talking about or singing about for nearly 20 years. The last record I purchased was "The Rising."

I remember in the 1980s he had a strong literary bent which would come out occasionally in print interviews. He said when he wrote "Nebraska" he had been reading a lot of Flannery O'Connor, and of course the imagery from the denuemont of "Spare Parts" (from "Tunnel of Love," another great record) is lifted straight out of "The Violent Bear it Away."

I think "The Ghost of Tom Joad" is one of his greatest records, and I would argue that it crosses into high art in the American literary tradition and can stand squarely within it. With that said "Darkness on the Edge of Town" was life-changing when I heard it as a kid.