Ok so this is slightly off on a tangent but Victor Hugo, author of The Hunchback of Notre Dame was almost certainly a high up member of the occult elite and sprinkled knowledge of the past civilization technology within his books. But the most interesting this was that Victor rebelled against his 'vow of silence' and became somewhat of a black sheep among his occult friends because of how outspoken he was about the "degradations and mutilations":

From one of Victor Hugo's essays:

"No doubt the church of Notre-Dame de Paris is still today a sublime and majestic building. But for all the beauty it has preserved in ageing, it is hard to repress a sigh, to repress indignation over the countless degradations and mutilations which time and men have simultaneously inflicted"

"On the face of this old queen of our cathedrals, beside each wrinkle you will find a scar. Time devours, man devours still more." ... Out of the "various traces of destruction imprinted on the ancient church, time's share would be the least, that of men the worst, especially men of the art" (page 119)

"men of the art", eh. He makes very clear that is mostly men, and not time, that has mutilated these structures.

"That is how the marvellous art of the Middle Ages has been treated in almost every country... Gothic architecture is today disfigured by three kinds of ravage. Wrinkles and warts on its skin are the work of time; marks of violence, brutality, contusions, fractures, the work of revolution" and war; "mutilations amputations, dislocations of its limbs, "restorations," are the Greek, Roman, and barbaric work of professors" and fashions... "Fashions have done more harm than revolutions. They have cut into the living flesh, attached the bone-structure of the art underneath, they have hewn, hacked, dislocated, killed the building, in its form as in its symbolism, in its logic as in its beauty... "And then they remade it ... brazenly in the name of good taste, they stuck over the wounds of gothic architecture... "their wretched baubles of a day, they marble ribbons, their metal pompoms, a veritable leprosy of ovolos, scrolls, surrounds, draperies, garlands, fringes, stone flames, bronze clouds, chubby cupids, bloated cherubs... "It is the ass kicking the dying lion. It is the old oak decaying, as a final blow being stung, bitten and gnawed by caterpillars." (page 122-3)

haha he is absolutely savage. So while Hugo seems unwilling to describe exactly what the old world looked like, he seems willing to share is complete disgust and anger at what resulted. also note that Hugo's reference to "greek, roman, and barbaric work of professors" is a direct reference to the renaissance.

Hugo was an activist attempting to stop the widespread and organized destruction of the old medieval world that continued to take place in the 19th century. He makes very clear that this is not arbitrary, random destruction and repurposement but calculated, planned and organized, factored into budgets of local and national authorities across France and by extension the whole of Europe.

but while he does not say directly how the old world looked or functioned, he does give quite a few indirect clues in his literature.

The Hunchback of Notre Dame has strange descriptions all throughout. But let you be the judge, here is page 399:

"the bells above all soothed her. It was as if these huge machines poured over her some powerful magnetism. So each sunrise found her move at peace, breathing more easily, less pale. All her inner wounds healed."

what the heck is he even writing about here? He uses very interesting figurative language throughout the book, especially related to water and flooding. The ile de la citie of paris is described as "like a great ship stuck in the mud" and as a crowd approaches the palais de justice, hugo describes them as a "flood of people"

"The waves of this human flood, constantly spreading, broke against the corners of houses ... in the centre of the tall, Gothic facade of the Palais was the grand staircase; up and down it flowed continuously a double stream, breaking on the central flight of steps, and then spreading out in broad waves over its two lateral flights."

Through the use of simile, people are compared with a flood of water and in doing so hugo transforms the streets and toads into flowing water systems. but... why did he describe people this way?

and here is yet another strange description while describing Esmeralda's imprisonment:

"In the middle ages, once a building was completed there was almost as much of it in the ground as outside. ... In Cathedrals it was, as it were, another cathedral underground, low dark, mysterious..."

"These mighty buildings, whose method of formation ... did not simply have foundations but, so to speak, roots... Thus churches, palaces, fortresses had earth up to their waists. A building's cellars were another building..." (page 343)

Isn't it strange? Hugo literally confirms what alt history people have said for years, that old style buildings do not simply end at the ground but go on much, much deeper. And not just a few meters or for a small basement, but the size of "another building" according to Hugo.

The novel also includes many occult references especially concerning the alchemist Frollo, the main antagonist who describes the sun as being made from the same source that produces gold.

"Gold," he explains, "is the sun, to make gold is the be God. ... the sun is born of fire ... fire is the soul of the great whole ... Light, gold, the same thing. Fire in its concrete state- the difference between the visible and the palpable, the fluid and the solid, for the same substance, from steam to ice, that's all"

Phoebus is the secondary antagonist of the novel, an arrogant womanizer that seduces Esmerelda. In greek mythology, Phoebus is the god of the SUN. He is stabbed by the alchemist Frollo but survives...

Esmerelda is described as a pagan romani (roman?) traveller witch - egyptian symbolic of pagan sun worship

Is Hugo trying to tell us that there was an attempt to destroy the sun in our lost ancient history? who knows...

Can a gatekeep of occult knowledge develop a conscious? Victor Hugo was punished, of course. In fact before his death most of his blood relatives died quickly one after another, his daughter confined to an insane asylum. And in classic occult elite fashion they mocked him at his funeral by hosting a big procession with gaudy decorations over his casket under a giant roman archgate, complete with the sun chariot statues on top, the same "baubles" that he claimed defiled the beautiful architecture of the inherited old world buildings.

They mocked him as they mock us today.

A few days before his death Hugo writes "TO LOVE IS TO ACT"

all of this topic and more is covered in this excellent video: https://www.bitchute.com/video/zBqbLTi0xhJY/

Ok so this is slightly off on a tangent but Victor Hugo, author of The Hunchback of Notre Dame was almost certainly a high up member of the occult elite and sprinkled knowledge of the past civilization technology within his books. But the most interesting this was that Victor rebelled against his 'vow of silence' and became somewhat of a black sheep among his occult friends because of how outspoken he was about the "degradations and mutilations":

From one of Victor Hugo's essays:

"No doubt the church of Notre-Dame de Paris is still today a sublime and majestic building. But for all the beauty it has preserved in ageing, it is hard to repress a sigh, to repress indignation over the countless degradations and mutilations which time and men have simultaneously inflicted"

"On the face of this old queen of our cathedrals, beside each wrinkle you will find a scar. Time devours, man devours still more." ... Out of the "various traces of destruction imprinted on the ancient church, time's share would be the least, that of men the worst, especially men of the art" (page 119)

"men of the art", eh. He makes very clear that is mostly men, and not time, that has mutilated these structures.

"That is how the marvellous art of the Middle Ages has been treated in almost every country... Gothic architecture is today disfigured by three kinds of ravage. Wrinkles and warts on its skin are the work of time; marks of violence, brutality, contusions, fractures, the work of revolution" and war; "mutilations amputations, dislocations of its limbs, "restorations," are the Greek, Roman, and barbaric work of professors" and fashions... "Fashions have done more harm than revolutions. They have cut into the living flesh, attached the bone-structure of the art underneath, they have hewn, hacked, dislocated, killed the building, in its form as in its symbolism, in its logic as in its beauty... "And then they remade it ... brazenly in the name of good taste, they stuck over the wounds of gothic architecture... "their wretched baubles of a day, they marble ribbons, their metal pompoms, a veritable leprosy of ovolos, scrolls, surrounds, draperies, garlands, fringes, stone flames, bronze clouds, chubby cupids, bloated cherubs... "It is the ass kicking the dying lion. It is the old oak decaying, as a final blow being stung, bitten and gnawed by caterpillars." (page 122-3)

haha he is absolutely savage. So while Hugo seems unwilling to describe exactly what the old world looked like, he seems willing to share is complete disgust and anger at what resulted. also note that Hugo's reference to "greek, roman, and barbaric work of professors" is a direct reference to the renaissance.

Hugo was an activist attempting to stop the widespread and organized destruction of the old medieval world that continued to take place in the 19th century. He makes very clear that this is not arbitrary, random destruction and repurposement but calculated, planned and organized, factored into budgets of local and national authorities across France and by extension the whole of Europe.

but while he does not say directly how the old world looked or functioned, he does give quite a few indirect clues in his literature.

The Hunchback of Notre Dame has strange descriptions all throughout. But let you be the judge, here is page 399:

"the bells above all soothed her. It was as if these huge machines poured over her some powerful magnetism. So each sunrise found her move at peace, breathing more easily, less pale. All her inner wounds healed."

what the heck is he even writing about here? He uses very interesting figurative language throughout the book, especially related to water and flooding. The ile de la citie of paris is described as "like a great ship stuck in the mud" and as a crowd approaches the palais de justice, hugo describes them as a "flood of people"

"The waves of this human flood, constantly spreading, broke against the corners of houses ... in the centre of the tall, Gothic facade of the Palais was the grand staircase; up and down it flowed continuously a double stream, breaking on the central flight of steps, and then spreading out in broad waves over its two lateral flights."

Through the use of simile, people are compared with a flood of water and in doing so hugo transforms the streets and toads into flowing water systems. but... why did he describe people this way?

and here is yet another strange description while describing Esmeralda's imprisonment:

"In the middle ages, once a building was completed there was almost as much of it in the ground as outside. ... In Cathedrals it was, as it were, another cathedral underground, low dark, mysterious..."

"These might buildings, whose method of formation ... did not simply have foundations but, so to speak, roots... Thus churches, palaces, fortresses had earth up to their waists. A building's cellars were another building..." (page 343)

Isn't it strange? Hugo literally confirms what alt history people have said for years, that old style buildings do not simply end at the ground but go on much, much deeper. And not just a few meters or for a small basement, but the size of "another building" according to Hugo.

The novel also includes many occult references especially concerning the alchemist Frollo, the main antagonist who describes the sun as being made from the same source that produces gold.

"Gold," he explains, "is the sun, to make gold is the be God. ... the sun is born of fire ... fire is the soul of the great whole ... Light, gold, the same thing. Fire in its concrete state- the difference between the visible and the palpable, the fluid and the solid, for the same substance, from steam to ice, that's all"

Phoebus is the secondary antagonist of the novel, an arrogant womanizer that seduces Esmerelda. In greek mythology, Phoebus is the god of the SUN. He is stabbed by the alchemist Frollo but survives...

Esmerelda is described as a pagan romani (roman?) traveller witch - egyptian symbolic of pagan sun worship

Is Hugo trying to tell us that there was an attempt to destroy the sun in our lost ancient history? who knows...

Can a gatekeep of occult knowledge develop a conscious? Victor Hugo was punished, of course. In fact before his death most of his blood relatives died quickly one after another, his daughter confined to an insane asylum. And in classic occult elite fashion they mocked him at his funeral by hosting a big procession with gaudy decorations over his casket under a giant roman archgate, complete with the sun chariot statues on top, the same "baubles" that he claimed defiled the beautiful architecture of the inherited old world buildings.

They mocked him as they mock us today.

A few days before his death Hugo writes "TO LOVE IS TO ACT"

all of this topic and more is covered in this excellent video: https://www.bitchute.com/video/zBqbLTi0xhJY/