Dark Secrets Behind The Pope’s Audience Hall? The Pope’s Audience Hall is a building designed to look exactly like a reptile. In essence, the Pope speaks to his audience from the head of a reptile. Why?

Published on November 17, 2017 By Joe Martino

When I first realized the true magnitude of what the Pope’s Audience Hall design reveals, I was shocked. Despite 10 years of research into the elite, occult, Illuminati, consciousness, and more, this stuck out as something I just HAD to write about.

Have you heard of the Pope’s Audience Hall? Also known as the Paul VI Audience Hall or the Hall of the Pontifical Audiences, it lies partially in Vatican City and partially in Rome, Italy. Named after Pope Paul VI and built in 1971 by Italian architect Pier Luigi Nervi, it seats 6,300 and contains a bronze statue called La Resurrezione, designed by Pericle Fazzini, within. This all sounds pretty straightforward so far, but let’s dive into what makes this building so strange. We’ll start with the less weird, and get progressively weirder as we go. Building Method and Design The building was designed with reinforced concrete by well-known architect Pier Luigi Nervi. Nervi is known for simple yet practical designs that are strong and made to last.

The simple curvature of the building might seem unassuming from the outside, but this is part one of what we will begin to explore about this building, and I promise you, by the time we get to the end, you will see what I’m getting at. Have a look at the image below and compare its shape to the image of a snake beside it. Note the overall shape — wide back, narrow, rounded front, eyes in the middle, nostril at the front, and curved top.

Windows As you can already begin to see in the image above, there are two windows on either side of the building that resemble eyes. They are made of stained glass and sit about halfway through the building’s length on either side. In the centre of the eye shape, you begin to see a slit that could resemble a reptile eye.

Scales and Fangs Have a look again at the image above — what do you notice down the centre? There stands what looks to be a statue in the middle and then on either side, two sharp, pointed fangs. The building’s roof and sides also resemble scales. Here are two more images to give you a sense of the scales.

Now let’s pull it together a bit more so we can really see what we are looking at. In the image below, really pay attention to the whole building and stage layout next to the image of a snake. The eyes, the shape, the scales, the fangs, the look and feel of the reptile… it’s all there.

The La Resurrezione Statue In the middle of the stage sits a statue of Christ rising from an atomic apocalypse. It was designed by Pericle Fazzini and put in place by 1977. Have a look at it below. Do you notice anything about Jesus’ head?

Left side It’s difficult to see from the front, but when you view the statue from the sides, where patrons would sit, it becomes strikingly clear from both sides that the head of Jesus is meant to look like that of a snake. Think about it for a moment: If just one side of the statue gave the impression of a snake’s head, we could brush this off as coincidence, but when it looks this way from all angles, and the entire building resembles a snake as well, it becomes much more difficult to ignore. One must begin to realize that this was purposefully designed to appear this way. The thought and planning that went into this would have to have been immense. Why does it depict what it does? It’s disturbing.

The Vatican is built over the Temple of Cybele First of all, yes this is completely Q related. So I was digging on the Pope and remembered hearing something about the Vatican being built on a necropolis (catacombs) so I looked it up! Actually it's much more than that. Check this out: Centuries before the birth of Jesus the worship of Cybele had as a central theme of the son and mother. Unlike Christianity the mother was the dominant one and Cybele’s son was also her lover. And again unlike Christianity, the orgiastic rites of the goddess included self-flagellation and even self-castration. They also involved initiations where those admitted to the secret worship would be drenched in blood. A highlight of worship was the Taurobolium, baptism in the blood of a sacred bull. The priests were not Romans but were from Asia Minor where the Cybele stone originated. Romans despised the effeminate behavior of the long-haired, strangely costumed priests parading in their streets, although their own religion had much in common. The worship of Roman men, particularly in the military, had their own son-lover pair of Mithra and Atagartis. The rites shared the bloody initiation, but the male Mithra was a warrior god who slew a bull at birth. Like the worship of Cybele, a highlight of worship also included the Taurobolium, baptism in the blood of a sacred bull. Such Roman sites still exist, generally beneath churches. While Christianity revered the concept of Mother and Son, the practices of the newer religion were very different. The practices of the mother-goddess religion were soon forced underground—literally underground, as they would conduct their ecstatic ceremonies in the catacombs under the Vatican. The layers of catacombs that supported the structure above were used to conduct human sacrifice rituals and initiations. It wasn’t until Domitian AD 81–96 made human sacrifice a capital crime, that these tunnels were closed. Secret tunnels, however, allowed the forbidden ceremonies of Cybele, including child sacrifice, to continue. In the second century the tunnels were closed and Roman families that still engaged in such practices were banished to Libya. One family that was forced to abandon Rome for Libya was that of Gaius Fulvius Victor. His father fled Rome when the Gnostic Antonius Pius sought to execute any nobles belonging to the Cybele sect. Through political in-fighting Victor somehow became Pope and while he is guilty of numerous crimes, including murder, his worst offense was in re-instituting child sacrifice to the Vatican. It had been practiced on certain occasions, but Victor wanted a sacrifice at every Mass. The temple of Cybele stood on the Vatican until the Christians took over in the fourth century. Then the site evolved into the Basilica of St. Peter, which stands today. While the Catholic place would impose its own brand of mother and son images, the Vatican’s massive collection of pre-Christian goddesses populates the city. Statues and images of Artemis, Fortuna, Venus, Diana, and the Egyptian Sekmet are present, as is a huge obelisk. The obelisk in the center of the Vatican represents the center point of the Axis Mundi of the Catholic faith. It is surrounded by 16 windrose markers, a directional system created by the Etruscan people long before Rome. Author Cort Lindahl in Axis Mundipoints out that the markers refer to key places in the Christian faith, including: the Hagia Sophia in Istanbul, the Dome of the Rock in Jerusalem, to Axum in Ethiopia (which Graham Hancock believes holds the Ark of the Covenant) and to the Schloss Schonbrunn Palace of the Habsburgs. Worship of the goddess Cybele survived long after Rome. In The Cult of the Black Virgin, author Ian Begg says the Frankish Merovinginians worshiped her as Diana, and there were huge idols and monuments to her in France. He connects the modern survival of her to Mary Magdalene. Lyons in France was a center of her worship, and she survived in Paris (as Isis) until St. Genevieve took over her role. https://atlantisrisingmagazine.com/article/goddess-in-the-vatican/