And doesnt it seem odd, even intentionally demonic, that the big holiday blockbuster in the theaters is a film about Nosferatu?

Nosferatu is a 1922 German unauthorized remake of Bram Stokers Dracula. Count Dracula became Count Orlok but the story is similar with distinct undertones of German fears, prejudices and attitudes of the day, including antisemitism. Nosferatu has a ratlike look and in Germany at the time Jews were equated with rats. It is a Jewish real estate agent that aids Nosferatu in his move from Transylvania to Germany. Nosferatu travels by sea with many coffins filled with rats that upon his arrival release pestilence and plague in the town of Wisberg.

From wiki:

Nosferatu has been noted for its themes regarding fear of the Other, as well as for possible antisemitic undertones,[1] both of which may have been partially derived from the Bram Stoker novel Dracula, upon which the film was based.[9] The physical appearance of Count Orlok, with his hooked nose, long claw-like fingernails, and large bald head, has been compared to stereotypical caricatures of Jewish people from the time in which Nosferatu was produced.[10] His features have also been compared to those of a rat or a mouse, the former of which Jews were often equated with.[11][12] Orlok's interest in acquiring property in the German town of Wisborg, a shift in locale from the Stoker novel's London, has also been analyzed as preying on the fears and anxieties of the German public at the time.[13] Professor Tony Magistrale wrote that the film's depiction of an "invasion of the German homeland by an outside force [...] poses disquieting parallels to the anti-Semitic atmosphere festering in Northern Europe in 1922."[13]

It also poses disquieting parallels to todays migrant invasions of America and Europe.

When the foreign Orlok arrives in Wisborg by ship, he brings with him a swarm of rats which, in a deviation from the source novel, spread the plague throughout the town.[12][14] This plot element further associates Orlok with rodents and the idea of the "Jew as disease-causing agent".[10][12] It is also notable that Orlok's accomplice in conspiracy Knock is a Jewish realtor, who acts as the vampire's fifth column in the Biedermeier town of Wisborg.

And then theres this pandemic like theme.

And strong demonic themes and undertones:

Murnau and Grau gave Orlok in the film a demonic lineage and an occult origin: Orlok is the creation of Belial, one of the Satanic archdemons. Belial in Psalm 41:8–10 is also associated with pestilence, with Orlok in film being the very manifestation of contagion, rats pouring out of his coffins onto the streets of Wisborg, spreading Black Death.[17] Orlok's link to Belial is also highly significant because Belial is "one of the demons traditionally summoned by Goetic magicians" – making Orlok someone who practiced dark sorcery before becoming a vampire.[18]

Orlok and his servant Knock are communicating in occult language – the documents between Orlok and Knock are written in the Enochian language, a constructed language said to be that of the angels, which was recorded in the private journals of English occultist John Dee and his colleague English alchemist Edward Kelley in late 16th-century Elizabethan England.[19][20]

The character of Professor Bulwer in the film is named in reference to English occult novelist Edward Bulwer-Lytton.[20] The idea of astral entities, arising from the dark thoughts of human beings, responsible for epidemics that call for blood sacrifices in order to prevent them, is also closely linked to that of the alchemist Paracelsus, whose figure is partly embodied in the film in the character of Professor Bulwer (who is mentioned in the film to be Paracelsian himself). This is made concrete in the film in the plague epidemic that spreads through the city of Wisborg, which cannot be remedied by scientific methods, but by the blood sacrifice of a woman, thus destroying forever the dark being responsible for this catastrophic situation.[21]

So why is this horror film starring demons and pestilence, whose foundation contains strong antisemitic undertones, the Christmas blockbuster being advertised non stop on our propaganda boxes?

Is it comms? A warning? A spell cast by the demons to undermine the joyousness of the birth of Christ?

It has all the elements and tools the demons are using to complete the enslavement of humanity. Pestilence, demons, blood sucking (adrenochrome), fear and panic are the basis for Hollywoods big Christmas blockbuster.

All I can say is what in the fuck.