Thank you for the info. I did look up both your points in the first reply.
My observations... the DaVinci square-circle does not, to my eye, look like he was successful in trying to “square the circle” from how I understand the problem, purely from a mathematical standpoint. As I read this, he was trying to use basic math, this using architectural ratios, to determine the “ideal” proportions of human anatomy. I didn’t get the impression there was any focus on human genitalia from this. That’s not to say the satanists wouldn’t try and corrupt it for their twisted purposes.
Also, I was not aware of any link between DaVinci and the masons or satanists. He drew this in the late 1400s and I’m sure the occultists were certainly around in his time.
I have heard of the alchemist quest to produce gold from other sources. As far as the leap from gold to man to a unisex being, that’s stretching it a bit. I’m under the impression they simply want to destroy mankind out of some self-loathing, but perhaps that’s simplistic. They’re certainly obsessed with symbology, but I can’t ascribe to everything we see being twisted to fit their warped little world view. If they placed a symbol (like the obelisks you refer to) somewhere, then sure, that’s how they meant it.
Anyway, thank you for your perspectives. They’re interesting and I’ll read up on more in the future.
(Sorry, OP... didn’t mean to go off on a tangent. Your resonance post is definitely cool and also worth looking into further).
On the subject of alchemy, an interesting problem exists with the antigravity engine that uses a spinning plasma of mercury vapor: the mercury gradually transmutes into gold and reduces the efficiency. Eventually, the whole lot has to be replaced with fresh mercury. Still, I suppose that the gold helps to pay for it!
Explain, please.
Thank you for the info. I did look up both your points in the first reply.
My observations... the DaVinci square-circle does not, to my eye, look like he was successful in trying to “square the circle” from how I understand the problem, purely from a mathematical standpoint. As I read this, he was trying to use basic math, this using architectural ratios, to determine the “ideal” proportions of human anatomy. I didn’t get the impression there was any focus on human genitalia from this. That’s not to say the satanists wouldn’t try and corrupt it for their twisted purposes.
Also, I was not aware of any link between DaVinci and the masons or satanists. He drew this in the late 1400s and I’m sure the occultists were certainly around in his time.
I have heard of the alchemist quest to produce gold from other sources. As far as the leap from gold to man to a unisex being, that’s stretching it a bit. I’m under the impression they simply want to destroy mankind out of some self-loathing, but perhaps that’s simplistic. They’re certainly obsessed with symbology, but I can’t ascribe to everything we see being twisted to fit their warped little world view. If they placed a symbol (like the obelisks you refer to) somewhere, then sure, that’s how they meant it.
Anyway, thank you for your perspectives. They’re interesting and I’ll read up on more in the future.
(Sorry, OP... didn’t mean to go off on a tangent. Your resonance post is definitely cool and also worth looking into further).
On the subject of alchemy, an interesting problem exists with the antigravity engine that uses a spinning plasma of mercury vapor: the mercury gradually transmutes into gold and reduces the efficiency. Eventually, the whole lot has to be replaced with fresh mercury. Still, I suppose that the gold helps to pay for it!