This has to be one of the most insightful film analyses ever - essentially a (worthy-of-Q like) decode of the filmmaker's multidimensional 'comms'.
Like the moment of a lightning flash, its inspired pattern recognition outlines the structure of one very key intrinsic 'seed thought' at the heart of this wonderfully complex film, (whose artistry itself also embodies a kind of self-reflecting, recursive quality within consciousness/perception/reality).
As to the 'water hole' - gradually more and more, the human 'simians' around our planet seem to be getting wise to the crude weapons and tricks of their would-be oppressors - as you've just so perceptively revealed. Hopefully where one or more can go, we can go all.
And in people's emerging perception of this weaponization of screen/psyche - maybe even begin to transcend it? And so swiftly evolve beyond their primitive/devolved reach.
This interpretation is yours? It's brilliant.
This has to be one of the most insightful film analyses ever - essentially a (worthy-of-Q like) decode of the filmmaker's multidimensional 'comms'.
Like the moment of a lightning flash, its inspired pattern recognition outlines the structure of one very key intrinsic 'seed thought' at the heart of this wonderfully complex film, (whose artistry itself also embodies a kind of self-reflecting, recursive quality within consciousness/perception/reality).
As to the 'water hole' - gradually more and more, the human 'simians' around our planet seem to be getting wise to the crude weapons and tricks of their would-be oppressors - as you've just so perceptively revealed. Hopefully where one or more can go, we can go all.
And in people's emerging perception of this weaponization of screen/psyche - maybe even begin to transcend it? And so swiftly evolve beyond their primitive/devolved reach.