A fun excursion would be to check into the life and work of Jacob Espstein.
Where have we heard that name before?
His sculpting is creepy and low quality. His 'Rock Drill' is a comm to other Situationists International (the head of the art/entertainment snake) as to their being 'beneath the paving stones' of every political or popular 'movement'.
His favorite hang out was at the Soho Club where that lifestyle was glorified. The guest list of the club reads like a who's-who of Cabal 'artists' and celebrities of the time.
Studio 54 was the American equivalent.
Andy Warhol was a fraud of the cabal who offed him with an mk goon so his 'art' would skyrocket in 'worth'.
His use of commercialist ideas as protest against commercialism is PURE Situationist method of operation.
Today, Hunter follows the tradition and the paintings of Epstein's and the portraits of Obama and Clinton fall into this 'comm' category of art.
Look at the Rock Drill sculpting. It's the Star Wars Stormtrooper.
It's head/face can be seen looking in a window, in a video by boule artist Herbie Hancock, called
"Rockit". It's subject matter is sexual and subliminal.
It began the 'scratch' and cut and paste sample movement in music.
Hancock is signalling the Cabal with the vid.
Prostitutes (today's artist) had to "go 'round the outside, round the outside, round the outside, of the camp walls..........as Situationist Malcolm McLaren
and later Eminem let you know as comm.
The art world was set up to be a dream scenario for them. The "value" of the art is based 100% on hype as it pertains to the artist. Being subjective, art can carry any sort of price tag they want to attach to it.
Also, it is greatly beneficial to get a confused artist hooked on drugs and ultimately die. They created the hype for that particular artist, and thus when they die, the price can go up even further because it has been established that there is now a finite amount of works by the artist, and that there isn't going to be more of it in the future. (except for the ahem priceless works of art that many claim they found in a basement and can now sell.)
A fun excursion would be to check into the life and work of Jacob Espstein. Where have we heard that name before? His sculpting is creepy and low quality. His 'Rock Drill' is a comm to other Situationists International (the head of the art/entertainment snake) as to their being 'beneath the paving stones' of every political or popular 'movement'.
His favorite hang out was at the Soho Club where that lifestyle was glorified. The guest list of the club reads like a who's-who of Cabal 'artists' and celebrities of the time.
Studio 54 was the American equivalent.
Andy Warhol was a fraud of the cabal who offed him with an mk goon so his 'art' would skyrocket in 'worth'.
His use of commercialist ideas as protest against commercialism is PURE Situationist method of operation.
Today, Hunter follows the tradition and the paintings of Epstein's and the portraits of Obama and Clinton fall into this 'comm' category of art.
"Master of Arts" https://en.wikipedia.org/wiki/Edward_Jay_Epstein
https://www.tate.org.uk/art/artists/sir-jacob-epstein-1061
Look at the Rock Drill sculpting. It's the Star Wars Stormtrooper.
It's head/face can be seen looking in a window, in a video by boule artist Herbie Hancock, called "Rockit". It's subject matter is sexual and subliminal. It began the 'scratch' and cut and paste sample movement in music. Hancock is signalling the Cabal with the vid.
Prostitutes (today's artist) had to "go 'round the outside, round the outside, round the outside, of the camp walls..........as Situationist Malcolm McLaren and later Eminem let you know as comm.
You know.........Marshall Mathers..........
https://www.specularium.org/blog/item/13-mathers
Modern Minotaurs
The art world was set up to be a dream scenario for them. The "value" of the art is based 100% on hype as it pertains to the artist. Being subjective, art can carry any sort of price tag they want to attach to it.
Dream scenario. Good take.
Also, it is greatly beneficial to get a confused artist hooked on drugs and ultimately die. They created the hype for that particular artist, and thus when they die, the price can go up even further because it has been established that there is now a finite amount of works by the artist, and that there isn't going to be more of it in the future. (except for the ahem priceless works of art that many claim they found in a basement and can now sell.)