From Dark to Light — Mel Gibson's Apocalypto: An Allegory of Child Trafficking, Torture, and Ritual Sacrifice
(media.greatawakening.win)
N C S W I C
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We in the Q community understand that the Cabalists and their Deep State cronies have a date with fate, and Q is helping to arrange the meeting. They have been using the Hollywood Propaganda Apparatus in a desperate attempt to normalize child sacrifice (abortion) and pedophilia (grooming). The actors of this establishment align themselves with this narrative on social media, and act out these sins on film for all the world to see.
Though Hollywood is a den of vipers, there are a few lions among them that dare to tell the truth. These lions are intelligence. They know they cannot tell humanity the truth on a waking level. They had to subconsciously program the truth through allegory, metaphor, and story telling. Mel Gibson is one of these lions, and Apocalypto is perhaps his Magnum Opus.
By now every Anon should know that Mel Gibson is one of the very few actors and directors in Hollywood that is not perverted by the sins of pedophilia, grooming, child trafficking, and child sacrifice.
I believe that Mel Gibson's film Apocalypto is an allegory for the ritualized trafficking, abuse, and sacrifice of children.
Let us first examine the name of the film: Apocalypto
English Word: Apocalypse
Greek: Apokalupsis
Greek Prefix: Apo — un
Greek Root: kaluptein — to cover
Greek Origin: Apokaluptein — to uncover, to reveal
Master artisans like Mel Gibson take great care in the words and imagery they use in their films. While the popular definition of apocalypse is that of a world ending calamity, this is nothing more than the Cabal's twisting of the word. As we can see from the word etymology, Apocalypse does not stand for catastrophe or disaster, is stands for an uncovering, or revealing. In the case of the Cabal, this uncovering of their wickedness and sinfulness will indeed be a world ending event. It will signify the end of their World Order.
Take a look at the sub-title of the film:
NO ONE CAN OUTRUN THEIR DESTINY
Does this not echo the famous Q phrase:
NOTHING CAN STOP WHAT IS COMING
The Fall of the Cabal has been a long time in the making, and directors like Mel Gibson have been seeding our subconscious for decades preparing humanity for The Storm.
A Synopsis of Apocalypto Synopsis
Apocalypto is chock full of powerful imagery that one could spend hours examining and analyzing for deeper meaning. For the purposes of this thread, we will examine only a finite number of them. I encourage every Anon to watch the film for themselves. It is indeed a masterpiece of cinema on many levels.
Let us begin with the sacrificial step pyramids that appear on the cover of the film, as well as half way through the narrative. Many Anons have remarked at how similar the architecture of these step pyramids is to that of the Planned Parenthood Headquarters building. When mirrored, the Planned Parenthood building becomes a replica of a step pyramid, and takes on an eerie ominous vibe with the implications of this design choice. Architects, like film makers, do not randomly select their designs. Every structure has meaning and purpose behind it.
Next let us examine the blue painting of the bodies of the young trafficked men who are being led to their execution. Blue is a color known to be associated with the comms of pedophiles. Were this the only commonality, one might say it was happenstance, but then we come to the tunnel of paintings.
As these young men journey to their execution, there is a tunnel they walk through that contains further paintings of significance. One distinct painting contains numerous spirals, a pattern known to be used by pedophiles in their public comms. This pattern is repeated several times throughout this sequence.
As the young trafficked men are escorted through this dark and foreboding tunnel, these paintings instill fear and dread in the young men who are to be executed. We know that fear and panic are emotions that boost adrenaline in the blood stream. The Cabalists of the world have openly admitted in scientific papers that Adrenochrome is a real substance, and that it is consumed for its affects.
In one of the paintings we can see a body with its heart being cut out. Above this body is a distinct podophilic spiral pattern. The meaning of these symbols could not be more clear for those in the Q community, especially when this imagery was directed by none other than Mel Gibson.
The purpose of these sacrifices is revealed in the film as a means of the Mayan elite to gain life and health. In the story, the Mayan kingdom is inflicted with a sickness. The elite believed that mass ritual sacrifice would bring them longer life and health.
At the height of the Mayan's ritual sacrifices, the event of a solar eclipse occurs. The sky turns dark, and in the darkness that sacrifices cease. Upon the return of the light, the film's tone dramatically shifts.
Q Post #3464
What started as a horror movie, turns into a story of revenge, redemption, and a return to family.
Jaguar Paw, the protagonist of Apocalyptic, escapes the sacrificial temple of the Mayan Cabal and makes a daring trek back to his homeland. He is pursued by the Mayan traffickers. In the forest of his homeland, Jaguar Paw becomes the hunter, and the Mayan traffickers become the HUNTED. One by one the traffickers who destroyed his life are hunted down until none remain.
In the finale of the film we are given yet more powerful imagery. While Jaguar Paw was being trafficked for ritual human sacrifice, his wife was back in his village giving birth to his child.
There is a powerful message of death and rebirth woven into this story. Clearly Mel Gibson did not want to leave us without hope back in 2006 when he released Apocalypto in theatres.
The Cabal is indeed experiencing their apocalypse. Their world of sin is being exposed and revealed for all of humanity to witness.
N.C.S.W.I.C.
Very thoughtful analysis. I suspect you are right about this. I have often thought that The Matrix was just such a film, as well as V for Vendetta. The parallels in both movies are just too close to what I have come to know is the reality of our world.