Watched the documentary Out of Shadows the other day. The guy behind it was a career stuntman who came to Jesus when he realized Hollywood was run by a Satanic cult. Highly recommend watching.
It's been said that the clowns ran everything that came out of Laurel Canyon in the 60s and 70s and controlled all the music in the counter-culture revolution. It wouldn't be that far fetched to assume that the 3-letter agencies around the world also controlled literature (Rolling Stone magazine was definitely a clown op). If an author was also a clown and got their income from the clowns upping their profile in the media, I wonder who owns the copyright to their work? Might it be the case that the works that are getting mugged right now are all clown works?
Interesting.In the days before IMDB and Wiki an author was just an author for example Agatha Christie.
When you relook at most of the big names of British literature over the last 100 or so years( MI5 and MI6 were established around 1910) they don’t seem to be more than an arms length away from a career in the foreign service of GB.
Whether undercover as a foreign correspondent or as in the case of Christie visiting the Middle East every year with her archaeologist husband.
Forsyth, Fleming, Archer even JK Rowling who wasn’t in some way a spook?
Watched the documentary Out of Shadows the other day. The guy behind it was a career stuntman who came to Jesus when he realized Hollywood was run by a Satanic cult. Highly recommend watching.
https://rumble.com/v20tows-out-of-shadows-2020-documentary-with-mike-smith.html
According to him, Ian Fleming had a CIA handler and the 007 books were propaganda to make the agency look good.
At this point there is no franchise from my 90's childhood that hasn't been whored-out or slaughtered before my eyes.
It's been said that the clowns ran everything that came out of Laurel Canyon in the 60s and 70s and controlled all the music in the counter-culture revolution. It wouldn't be that far fetched to assume that the 3-letter agencies around the world also controlled literature (Rolling Stone magazine was definitely a clown op). If an author was also a clown and got their income from the clowns upping their profile in the media, I wonder who owns the copyright to their work? Might it be the case that the works that are getting mugged right now are all clown works?
Interesting.In the days before IMDB and Wiki an author was just an author for example Agatha Christie.
When you relook at most of the big names of British literature over the last 100 or so years( MI5 and MI6 were established around 1910) they don’t seem to be more than an arms length away from a career in the foreign service of GB.
Whether undercover as a foreign correspondent or as in the case of Christie visiting the Middle East every year with her archaeologist husband.
Forsyth, Fleming, Archer even JK Rowling who wasn’t in some way a spook?