In the mid 1960s, they came up with the concept of "Regeneration" where one actor is replaced by another, the experience was described in the original scripts as "like a bad LSD trip". The first regeneration? From an old Englishman to a new revitalized younger Clown with a Beatles haircut.
The Beatles were the great Communist psyop foisted upon the people, who were tools to affect political and societal change. They have their roots in Freemasonry, Aleister Crowley, the Tavistock Institute and British Military Intelligence.
Given that they were in the process of sacrificing Paul McCartney and replacing him with "Billy Shears", you can see the seeds being laid. The symbolic pushing of "doubles" where even though you KNOW they look, sound and act different, you're programmed to just trust that they're the same person.
He was followed by Jon Pertwee and the transition to colour. This Doctor spoke of his friendship with Chairman Mao, worked for United Nations military intelligence, and the show took on many issues of the "Greeny Left". Jon Pertwee admitted in an interview that didn't get released until a certain period after his death, that he was a spy in the war for Winston Churchill
Spies and Actors are the same thing.
I won't bore you with analyses of every Doctor, but the earliest parts of it during the cultural revolution are what stands out to me as mental priming.
The 2005 revival, again by Russell T. Davies, started heavily featuring romances between The Doctor and his companion. The Doctor is over 1000 years old, but somehow post-2005 starts falling in love with young human females as he kidnaps them.
This is to normalize pedophilia. The idea that such an ageless being would start being sexually and romantically attracted to people who are essentially children to him was a concept foisted upon the people.
Russell was a frequenter of London Gay Bars, and is a full woke nutjob now. Given his obsession with pushing that story beat, it really feels like he's trying to make it normal for older people to express interest in those who are essentially children.
This continued through the Moffat era and the Chibnall era.
Russell's work is heavily rooted in pushing the gay/trans agenda onto people, and it seems like this factor is his guiding philosophy.
Given the aforementioned Unicursal Hexagram prominently displayed in his wrap party video, it seems like he's an avid adherent of Aleister Crowley.
In the mid 1960s, they came up with the concept of "Regeneration" where one actor is replaced by another, the experience was described in the original scripts as "like a bad LSD trip". The first regeneration? From an old Englishman to a new revitalized younger Clown with a Beatles haircut.
The Beatles were the great Communist psyop foisted upon the people, who were tools to affect political and societal change. They have their roots in Freemasonry, Aleister Crowley, the Tavistock Institute and British Military Intelligence.
Given that they were in the process of sacrificing Paul McCartney and replacing him with "Billy Shears", you can see the seeds being laid. The symbolic pushing of "doubles" where even though you KNOW they look, sound and act different, you're programmed to just trust that they're the same person.
He was followed by Jon Pertwee and the transition to colour. This Doctor spoke of his friendship with Chairman Mao, worked for United Nations military intelligence, and the show took on many issues of the "Greeny Left". Jon Pertwee admitted in an interview that didn't get released until a certain period after his death, that he was a spy in the war for Winston Churchill
Spies and Actors are the same thing.
I won't bore you with analyses of every Doctor, but the earliest parts of it during the cultural revolution are what stands out to me as mental priming.
The 2005 revival, again by Russell T. Davies, started heavily featuring romances between The Doctor and his companion. The Doctor is over 1000 years old, but somehow post-2005 starts falling in love with young human females as he kidnaps them.
This is to normalize pedophilia. The idea that such an ageless being would start being sexually and romantically attracted to people who are essentially children to him was a concept foisted upon the people.
Russell was a frequenter of London Gay Bars, and is a full woke nutjob now. Given his obsession with pushing that story beat, it really feels like he's trying to make it normal for older people to express interest in those who are essentially children.
This continued through the Moffat era and the Chibnall era.
Russell's work is heavily rooted in pushing the gay/trans agenda onto people, and it seems like this factor is his guiding philosophy.
Given the aforementioned Unicursal Hexagram prominently displayed in his wrap party video, it seems like he's an avid adherent of Aleister Crowley.