I think that the plus represents "attachment to" or "a puppet/tool of", that we can potentially agree with. But it's entirely dependent on the preceding name/title if you ask me
If Q+ means that Trump is tied to Q, wouldn't Disney+ mean that it's something tied to Disney?
That being said, there does seem to be some mass exposure/disclosure happening. Whether it's White Hats exposing the truth of the matter, or if it's Black Hats being so scared and/or so brazen that they're going to try sway as many people to their side as a shield before the axe comes for them all, I can't tell you.
It all seems to be happening in a controlled demolition, and I agree with you for some of what you say.
Now, if the goal was exposure, these people have been living in the shadows for so long that they're probably yearning to be "free and accepted", but they knew what they were doing was evil.
What if the way to expose them all was to MAKE them feel free and accepted? That is, White Hats encourage their openness to make the Black Hats brazen enough to lay their whole ideology and agenda down on the table and open themselves up for a righteous battle?
As you said, it's a chess game. Create an opening, dangle an easy pawn and taunt your enemy into being brazen enough to capture it, opening them up for a more complex countermove.
You may be onto something with the symbolism of the + though, even if we don't necessarily agree on the overt Disney + "Q" connection. Indeed, when the Alphabet People use their ever-growing Acronyms, isn't Pedophilia usually hidden behind the +? (As in LGBTQIAAP+)?
At the very least, we know that Actor/Theatre culture has had a large history of transgenderism and pedophilia, with the stereotype of the older Theatre actor having young boys, being a well known stereotype indeed.
In the mid 1960s, they came up with the concept of "Regeneration" where one actor is replaced by another, the experience was described in the original scripts as "like a bad LSD trip". The first regeneration? From an old Englishman to a new revitalized younger Clown with a Beatles haircut.
The Beatles were the great Communist psyop foisted upon the people, who were tools to affect political and societal change. They have their roots in Freemasonry, Aleister Crowley, the Tavistock Institute and British Military Intelligence.
Given that they were in the process of sacrificing Paul McCartney and replacing him with "Billy Shears", you can see the seeds being laid. The symbolic pushing of "doubles" where even though you KNOW they look, sound and act different, you're programmed to just trust that they're the same person.
He was followed by Jon Pertwee and the transition to colour. This Doctor spoke of his friendship with Chairman Mao, worked for United Nations military intelligence, and the show took on many issues of the "Greeny Left". Jon Pertwee admitted in an interview that didn't get released until a certain period after his death, that he was a spy in the war for Winston Churchill
Spies and Actors are the same thing.
I won't bore you with analyses of every Doctor, but the earliest parts of it during the cultural revolution are what stands out to me as mental priming.
The 2005 revival, again by Russell T. Davies, started heavily featuring romances between The Doctor and his companion. The Doctor is over 1000 years old, but somehow post-2005 starts falling in love with young human females as he kidnaps them.
This is to normalize pedophilia. The idea that such an ageless being would start being sexually and romantically attracted to people who are essentially children to him was a concept foisted upon the people.
Russell was a frequenter of London Gay Bars, and is a full woke nutjob now. Given his obsession with pushing that story beat, it really feels like he's trying to make it normal for older people to express interest in those who are essentially children.
This continued through the Moffat era and the Chibnall era.
Russell's work is heavily rooted in pushing the gay/trans agenda onto people, and it seems like this factor is his guiding philosophy.
Given the aforementioned Unicursal Hexagram prominently displayed in his wrap party video, it seems like he's an avid adherent of Aleister Crowley.
This is how they pervert reincarnation and other supernatural laws of the universe.
I think that the plus represents "attachment to" or "a puppet/tool of", that we can potentially agree with. But it's entirely dependent on the preceding name/title if you ask me
If Q+ means that Trump is tied to Q, wouldn't Disney+ mean that it's something tied to Disney?
That being said, there does seem to be some mass exposure/disclosure happening. Whether it's White Hats exposing the truth of the matter, or if it's Black Hats being so scared and/or so brazen that they're going to try sway as many people to their side as a shield before the axe comes for them all, I can't tell you.
It all seems to be happening in a controlled demolition, and I agree with you for some of what you say.
Now, if the goal was exposure, these people have been living in the shadows for so long that they're probably yearning to be "free and accepted", but they knew what they were doing was evil.
What if the way to expose them all was to MAKE them feel free and accepted? That is, White Hats encourage their openness to make the Black Hats brazen enough to lay their whole ideology and agenda down on the table and open themselves up for a righteous battle?
As you said, it's a chess game. Create an opening, dangle an easy pawn and taunt your enemy into being brazen enough to capture it, opening them up for a more complex countermove.
You may be onto something with the symbolism of the + though, even if we don't necessarily agree on the overt Disney + "Q" connection. Indeed, when the Alphabet People use their ever-growing Acronyms, isn't Pedophilia usually hidden behind the +? (As in LGBTQIAAP+)?
At the very least, we know that Actor/Theatre culture has had a large history of transgenderism and pedophilia, with the stereotype of the older Theatre actor having young boys, being a well known stereotype indeed.
In the mid 1960s, they came up with the concept of "Regeneration" where one actor is replaced by another, the experience was described in the original scripts as "like a bad LSD trip". The first regeneration? From an old Englishman to a new revitalized younger Clown with a Beatles haircut.
The Beatles were the great Communist psyop foisted upon the people, who were tools to affect political and societal change. They have their roots in Freemasonry, Aleister Crowley, the Tavistock Institute and British Military Intelligence.
Given that they were in the process of sacrificing Paul McCartney and replacing him with "Billy Shears", you can see the seeds being laid. The symbolic pushing of "doubles" where even though you KNOW they look, sound and act different, you're programmed to just trust that they're the same person.
He was followed by Jon Pertwee and the transition to colour. This Doctor spoke of his friendship with Chairman Mao, worked for United Nations military intelligence, and the show took on many issues of the "Greeny Left". Jon Pertwee admitted in an interview that didn't get released until a certain period after his death, that he was a spy in the war for Winston Churchill
Spies and Actors are the same thing.
I won't bore you with analyses of every Doctor, but the earliest parts of it during the cultural revolution are what stands out to me as mental priming.
The 2005 revival, again by Russell T. Davies, started heavily featuring romances between The Doctor and his companion. The Doctor is over 1000 years old, but somehow post-2005 starts falling in love with young human females as he kidnaps them.
This is to normalize pedophilia. The idea that such an ageless being would start being sexually and romantically attracted to people who are essentially children to him was a concept foisted upon the people.
Russell was a frequenter of London Gay Bars, and is a full woke nutjob now. Given his obsession with pushing that story beat, it really feels like he's trying to make it normal for older people to express interest in those who are essentially children.
This continued through the Moffat era and the Chibnall era.
Russell's work is heavily rooted in pushing the gay/trans agenda onto people, and it seems like this factor is his guiding philosophy.
Given the aforementioned Unicursal Hexagram prominently displayed in his wrap party video, it seems like he's an avid adherent of Aleister Crowley.