They're going for the "Theatre of the Absurd" tactic: create as much cognitive dissonance as possible to try to wake the sheep up.

Either that, or Potatus has been watching too many MAS*H reruns with Klinger in them. 😋

u/sempersupra

u/dty6

Oh, man, this goes deeper than I thought:

"Fruit Brute was discontinued by 1982 and replaced in 1988 by Fruity Yummy Mummy, which was discontinued in 1992. During this period, Fruit Brute made conspicuous appearances in two films by Quentin Tarantino, Pulp Fiction and Reservoir Dogs, as a visual easter egg."

"In August 2022, Frute Brute returns, with the artwork done by KAWS."

https://en.wikipedia.org/wiki/Monster_Cereals

"So tomato soup ties to Warhol. I've seen tons of comms about Warhol."

Warhol = war hole = money pit = throwing good money after bad? = Ukraine?

WTF? What does this even mean?:

"But why tomato soup? Did the activists confuse Van Gogh with Andy Warhol? If so, it’s worth reminding everyone that Warhol had ties to the Iranian Shah Mohammad Reza Pahlavi, a dictator and an oil mogul. Warhol also made a portrait of the Shah’s wife, Empress Farah Pahlavi, just three years before the couple was overthrown in 1979."

Why is this "worth reminding everyone" about? Are they trying to make a connection between the Shah (who was installed, supposedly, by the see eye A) and Zelinsky, who probably was, as well?

u/dty6

u/lonewulf

u/basedcitizen

WARHOL PT. 2

The guy was sick.

https://en.wikipedia.org/wiki/Andy_Warhol

Andy Warhol (/ˈwɔːrhɒl/;[1] born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental films Empire (1964) and Chelsea Girls (1966), and the multimedia events known as the Exploding Plastic Inevitable (1966–67).

The cover to this film is a dead giveaway.

https://en.wikipedia.org/wiki/Chelsea_Girls

In early 1963, Warhol rented his first studio, an old firehouse at 159 East 87th Street.[43] At this studio, he created his Elvis series, which included Eight Elvises (1963) and Triple Elvis (1963).[44] These portraits along with a series of Elizabeth Taylor portraits were shown at his second exhibition at the Ferus Gallery in Los Angeles.[45] Later that year, Warhol relocated his studio to East 47th Street, which would turn into The Factory.[46] The Factory became a popular gathering spot for a wide range of artists, writers, musicians, and underground celebrities.

It became pedo/ MK grand central.

During the 1960s, Warhol also groomed a retinue of bohemian and counterculture eccentrics upon whom he bestowed the designation "superstars", including Nico, Joe Dallesandro, Edie Sedgwick, Viva, Ultra Violet, Holly Woodlawn, Jackie Curtis, and Candy Darling. These people all participated in the Factory films, and some—like Berlin—remained friends with Warhol until his death.

He groomed the future "STARS" of the art world. He got to say who became a star and who didn't. It wasn't based on your work, but how you performed in The Factory.

Likely you had to sleep with him and do all sorts of disgusting things to get that stamp of approval.

Amaya received only minor injuries and was released from the hospital later the same day. Warhol was seriously wounded by the attack and barely survived. He had physical effects for the rest of his life, including being required to wear a surgical corset.[15] The shooting had a profound effect on Warhol's life and art.[59][60][61]

He pushed someone who was unstable until she snapped. But she turned on him.

Solanas was arrested the day after the assault, after turning herself in to police. By way of explanation, she said that Warhol "had too much control over my life". She was subsequently diagnosed with paranoid schizophrenia and eventually sentenced to three years under the control of the Department of Corrections. After the shooting, the Factory scene heavily increased its security, and for many the "Factory 60s" ended ("The superstars from the old Factory days didn't come around to the new Factory much")

This is Warhol's view of the world:

Before I was shot, I always thought that I was more half-there than all-there—I always suspected that I was watching TV instead of living life. People sometimes say that the way things happen in movies is unreal, but actually it's the way things happen in life that's unreal.

He viewed that the real world was not real. So nothing he did could be bad.

Warhol died in Manhattan at 6:32 a.m. on February 22, 1987, at age 58. According to news reports, he had been making a good recovery from gallbladder surgery at New York Hospital before dying in his sleep from a sudden post-operative irregular heartbeat.[89] Prior to his diagnosis and operation, Warhol delayed having his recurring gallbladder problems checked, as he was afraid to enter hospitals and see doctors.

THE FACTORY

https://en.wikipedia.org/wiki/The_Factory

Epstein Island before they moved the operations out of the US.

The Factory was Andy Warhol's studio in New York City, which had four locations between 1963 and 1987. The Factory became famed for its parties in the 1960s. It was the hip hangout spot for artist, musicians, celebrities and Warhol's superstars. The original Factory was often referred to as the Silver Factory.[1] In the studio, Warhol's workers would make silkscreens and lithographs under his direction.

Many Warhol films, including those made at the Factory, were first (or later) shown at the New Andy Warhol Garrick Theatre or 55th Street Playhouse

It was kid porn.

He then relocated his studio to the sixth floor of the Decker Building at 33 Union Square West near the corner of East 16th Street, near Max's Kansas City, a club which Warhol and his entourage frequently visited.[10] By the time Warhol had achieved a reputation, he was working day and night on his paintings. Warhol used silkscreens so that he could mass-produce images the way corporations mass-produced consumer goods. To increase production, he attracted a ménage of adult film performers, drag queens, socialites, drug addicts, musicians, and free-thinkers who became known as the Warhol Superstars, to help him. These "art-workers" helped him create his paintings, starred in his films, and created the atmosphere for which the Factory became legendary.

The Factory was revamped and remained there until 1973. It moved to 860 Broadway at the north end of Union Square. Although this space was much larger, not much filmmaking took place there. In 1984 Warhol moved his remaining ventures, no longer including filming, to 22 East 33rd Street, a conventional office building.

Look at the crazy list of "stars" who were regulars at The Factory where hards drugs were a regular feature.

The Factory became a meeting place of artists and musicians such as Lou Reed,[14] Bob Dylan, and Mick Jagger, as well as writer Truman Capote. Less frequent visitors included Salvador Dalí and Allen Ginsberg.[14] Warhol collaborated with Reed's influential New York rock band the Velvet Underground in 1965, and designed the noted cover for The Velvet Underground & Nico, the band's debut album. It featured a plastic image of a yellow banana, which users could peel off to reveal a flesh-hued version of the banana.[15] Warhol also designed the album cover for the Rolling Stones' album Sticky Fingers.

Andy Warhol commented on mainstream America through his art while disregarding its conservative social views. Almost all his work filmed at the Factory featured nudity, graphic sexuality, drug use, same-sex relations and transgender characters in much greater proportion to what was being shown in mainstream cinema. By making the films, Warhol created a sexually lenient environment at the Factory for the "happenings" staged there, which included fake weddings between drag queens, porn film rentals, and vulgar plays. What was called free love took place in the studio, as sexuality in the 1960s was becoming more open and embraced as a high ideal. Warhol used footage of sexual acts between his friends in his work, such as in Blue Movie, a 1969 film directed, produced, written and cinematographed by Warhol. The film, starring Viva and Louis Waldon, was the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States.[18][19][20]

PORN. HIs movies featured actual sex scenes. No fakery. So... porn.

Holly Woodlawn and Jackie Curtis were noted drag queens who were part of the Factory group, as was transgender woman Candy Darling. Andy Warhol frequently used these women and other sexual non-conformists in his films, plays, and events. Because of the constant drug use and the presence of sexually liberal artists and radicals, drugged orgies were a frequent happening at the Factory. Warhol met Ondine at an orgy in 1962:

He pushed hard on every perversion imaginable. You think their love of drag queens and transgender is a recent think? NO, it's just being dragged out for the public to see. These things were happening in the shadows in the 60s. They were doing far worse right under the public's nose.

Andy Warhol frequently used these women and other sexual non-conformists in his films, plays, and events. Because of the constant drug use and the presence of sexually liberal artists and radicals, drugged orgies were a frequent happening at the Factory. Warhol met Ondine at an orgy in 1962:

I was at an orgy, and [Warhol] was, ah, this great presence in the back of the room. And this orgy was run by a friend of mine, and, so, I said to this person, "Would you please mind throwing that thing [Warhol] out of here?" And that thing was thrown out of there, and when he came up to me the next time, he said to me, "Nobody has ever thrown me out of a party." He said, "You know? Don't you know who I am?" And I said, "Well, I don't give a good flying fuck who you are. You just weren't there. You weren't involved..."