**Anger – spitting mad – tears of rage. **

That’s where I was when I let this pile of sick garbage proceed to the credits. PLEASE let me explain why I watched it and why you should just take my word for it and DON’T.

You know the old saying “you need to know what your enemy is thinking/doing?” Well, I read the short synopsis on the screen of my TV and I thought, “hmmm – what the hell?” Then, about 5 minutes into the fuckery of a pregnant woman being cut open and branded with a hot iron while her husband was forced to watch – it hit me like a ton of bricks as to why normies say we are in a cult.

The film has also hijacked OUR catch-phrases; “Nothing Can Stop What Is Coming,” and “God wins” – STOLEN from the drops – as if they belong to this cult of white women wearing red with the slant of everything working for white supremacy – period. Even the fucked up logo they wear implies trickery – turn it sideways the W S morphs into “White Supremacy”

The review in the NYT is below. I really am still so messed up from seeing this absolutely sick as fuck (I have no words that I can think of to match the horrific nastiness of this) racist, lying bullshit film.

DON’T watch it because I'm guessing the clicks will make it look like it is worth one red cent – it isn’t. Also don’t watch it because it will truly make you physically sick. My day has been wasted since 11 a.m. – I have been in the bathroom ever since and that was 6 hours so far.

I am white, a woman, and an Anon - I didn't pick my race, my gender, or to whom I was born. Most importantly, I am an Anon who believes in my Frens, my nation, and our God. I want to punch the assholes that did this - I want to gauge their eyes out with hot rods. These people are SICK, EVIL, THINGS - even the actors should have had nothing to do with this.... sick bastards.

 “Red Pill” begins with a frenzied scene of cult violence, with faceless women dressed in red brutalizing a pregnant Black woman. Then it takes a jarring step back in time to greener pastures. In a hat tip to “The Shining,” an aerial shot captures an S.U.V. making its way through winding backcountry roads. Just as agonizing as the screaming and blood of the opening, if not more so, is the conversation inside the car where members of a progressive canvassing group, on its way to recruit white female voters, talks politics nonstop.

Cheery alternative rock music and a pit stop that involves the diverse group of friends’ tearing down a racist sign suggest that the filmmaker, the Tony-winning actress Tonya Pinkins, has satirical objectives. But this wonky political horror movie turns out to be painfully earnest and gauche to the point of confusion.

The film takes place around Halloween, in the days leading up to the 2020 election. Nothing feels right at the Airbnb that Cassandra (Pinkins) and her pals arranged. It’s filled with creepy, portraits of googly-eyed animals, while in the surrounding neighborhood, white women in black uniforms stand at attention on their front lawns.

Before too long, the friends — Nick is Jewish, Blake is Black, Bobby (the Grammy-winning musician Rubén Blades) is Latino — are hunted down and some are lynched. While Cassandra clearly suspects the violence is racially motivated, the other members fail to grasp the obvious.

So is this B-movie camp? Stilted performances and a script seemingly generated by a machine certainly make things feel sillier than they ought to be, as does a nightmare sequence involving people dressed in lion costumes straight out of an amateur theater production. But the main issue is the film’s trite commentary on America’s political and racial divides (see also: last year’s “The Hunt”), which is neither funny, frightening, nor provocative. Just numbing.

credit link and other BS