What, you don't think half-second jump cuts of disjointed non sequiturs and things that look sort of like other things, played at 3.5 speed and backed by ominous music, make a compelling case for investing FIVE HOURS in more of where that came from??
What, you don't think half-second jump cuts of disjointed non sequiturs and things that look sort of like other things, played at 3.5 speed and backed by ominous music, make a compelling case for investing FIVE HOURS in more of where that came from??
To quote "Del Griffith" in Planes, Trains and Automobiles:
u/#catdance